Saturday 29 January 2011

Ancient World history in Indian Scriptures - Context

This is part 2 of an article in three parts, about the ancient world and Indian history in ancient Hindu sacred books, based on the works of eminent Hindi writer, Acharya Chatur Sen. Part one of this article introduced the writings of Sen. This second part examines the context of writings by Sen. The third part presents the events described by Chatur Sen in his book, Vayam Rakshamah.

All writers need to do research, when they are writing about something with which they are not familiar. Thus, for all historical novels, writers need to research that particular historical period. Probably Acharya Chatur Sen started his research when he decided to write about "Vaishali ki Nagarvadhu", or perhaps the research was started for some other book, and then it led to writing of this book.

If there was ten years of research in the ancient Hindu sacred books, you don't really see it in "Vaishali ki Nagarvadhu", because the book is true to its fiction form. The result of the long studies is reflected in the background and characterization, but it is not flaunted.

Six years later, in 1955, when "Vayam Rakshamah" came out, the situation had changed. The book is presented as historical fiction about the life of Raavan, son of an Aryan, Polsatya muni, and a Daitya girl. Yet, after the initial chapters, the book forgets about Raavan and starts with other stories about origins of different clans and their movements in different parts of the world. Entire chapters are devoted to explanations that have nothing to do with Raavan's story. In that sense, the historical research is not just for bringing authenticity to a historical novel, but is an integral part of the narrative, making it a mix of fiction and non-fiction. I can't say if it was because the writer was not able to control himself or it was a deliberate attempt to mix what he perceived as "real history" with the fiction of the story, so that it is read by larger number of persons?

In fact, while reading Vayam Rakshamah, at times I was feeling a little disoriented at the sudden intrusion of long descriptions of different clans and who married whom, etc. Sen tries to explain the history of world, how ancient people spread out from central Asia to Indonesia, Australia, Norway and central America. Another proof of this mixture between historical research and fiction writing is the publication of the companion volume with explanations about the research, something unknown in fiction world of Hindi literature.

Sen did not limit himself to study of ancient Hindu books, but also looked at historical and archaeological publications of his time. In Vayam Rakshamah, he mentions about the findings and theories of eminent archaeologists and historians of his time like Dr D. Tera, Dr. Frankfort, D. Morgan, Dr. Landon, Sir John Marshall. Then he writes:
Now I am daring to contradict the theories of these archaeologists. I want to take the places described by these western experts such as Susha, Elam, Saptasindhu, Pralay and their descriptions of different groups of people living there, together I also want to take more disorderly descriptions in ancient books like Rigved, Brahman, Vishnu-Puran, Matasay-Puran, etc. Then on the basis of these considerations, I want to make some foggy word-pictures of pre-vedic times. I will describe these people who were living in those times, friendly or warring, their names, habitates and Jaati, as given in our Puran but that also find an echo in ancient histories of Persia, Arab, Africa, Misr (Egypt) and central Asia.
He links ancient Indian mythological stories such as that of Narsimha, Hiranyakashyap and Prahalad to the archaeological findings in Assyrians, that also talk of Narsimha, as shown in some images of engraved panels from Assyrian culture in the British Museum of London:

Assyrian engravings

Assyrian engravings

Assyrian engravings

Some clarifications
Before proceeding to the descriptions of Sen's world history, it is necessary to make some clarifications. Acharya Chatur Sen was not a scientist or a historian, and the history he presents in Vayam Rakshamah has its share of contradictions, specially in terms of names of people and the timeline of when the events happened. This may be because the sources of his information are themselves contradictory.

Another problem is caused by persons of same name, who are apparently alive after events that must have taken centuries to unfold. This could be because they are using clan names, where same name continues though it refers to different persons.

Understanding the relationships between people is very difficult and Sen explains this a result of possibility of getting married or having children among different family members, including sons with their mothers or brothers with sisters. For example, Varun, the eldest son of Aditi is both, Surya's elder brother as well as his uncle (father's elder brother). The initial societies are described as matrilineal.

Timeline itself is a problem and Sen recognises it by saying that the times described in Puran are exaggerated hundreds or thousands of times. He has resolved this issue by estimating the time of events described in different Puran during the first six generations of Manvanter (children of Manu, who had some kind of leadership role), and using that as a yardstick for calculating times of all other events. In this way, the period of what ancient Hindu books call "Satyug", is about 1300 years.

Sen has given names of different places that he talks about, asserting that similar names still exist in those regions but through Google map, I was unable to find those places. For example, Atri river in Aryaviryan (Azerbaijan) near Kashyap sea (Caspian sea) described by Sen is supposed to have given the name Atraman to that region, but I couldn't find any such river or place in Azerbaijan. This could be because Sen is taking names from Arabic or Persian sources while the names in English or other local languages of these countries may be different.

In the book Sen presents all the characters as ordinary living beings, though many of them are today known as religious characters or gods in Hindu mythologies such as Varun, Brahma, Vishnu, Indra, Narad, etc. Basing himself on ancient descriptions in the Hindu sacred literature, some of his characters seem to be in contradiction with their present images. For example, Indra and to a lesser degree, Vishnu, are both presented as clever and ruthless persons, who are willing to adopt any means to gain power and wealth. This could have another reason, why Sen was worried that some persons may not like his depiction of Hinduism in this book.

One final point about calling the texts consulted by Acharya Chatur Sen as "ancient Hindu texts". This is because these are part of Puran, Brahman, Upanishad and Ved, etc. the texts safeguarded by Hindu Brahmin traditions, though they actually talk of periods centuries before the establishment of "Hindu" traditions, in much later Aryan and Anaryan people in what came to be called Bharat Varsh.

He locates the origin of different groups of persons living in India to the region south of Kashyap sagar (Caspian sea), where he identifies geographical places that are part of Hindu mythology such as Ksheersagar and Vaikunthdham. He also explains the ruins of Harappa and Mohan Jo'daro as ruins from attacks of Indra on the kingdom of Vritra. The images below showing the seals from Harappa and Mohan Jo'daro are from British Museum in London:

Indus valley seals

With this background, now we are ready to move into the actual, though grossly simplified, descriptions of the world history and more specifically Indian history in Acharya Chatur Sen’s writings.

*** 

 End of part 2 - Part one of this article introduced the writings of Sen.  The third part presents the events described by Chatur Sen in his book, Vayam Rakshamah.

Wednesday 26 January 2011

Ancient world history in Indian scriptures - Introduction

This is first part of an article in 3 parts on ancient World History and Indian history. It looks at the ancient history of world and India, given in Hindu sacred books including Veda, Puran and Brahman stories, based upon the works of an eminent Hindi writer, Acharya Chatur Sen (1891-1960). Part 2 explains the context of writings by Sen, while part 3 presents the main ideas of world history in Sen's work.

Introduction to some works of Acharya Chatur Sen

Acharya Chatur Sen, a trained Ayurvedic doctor, was a prolific Hindi writer and published 186 books including 32 novels, more than 450 short stories, and many non-fiction books on themes as diverse as politics, history and Ayurveda. Apart from a strong interest in ancient Hindu sacred books, he also wrote about history of Islam in India.

Acharya Chatur Sen, eminent Hindi writer

I have read two of his works related to ancient India -

(a) Vaishali ki Nagarvadhu (वैशाली की नगरवधु, The courtesan of Vaishali, first published in 1949 by J. S. Sant Singh and Sons Delhi for Hindi Vishwabharati) about a courtesan called Ambapali during the time of Gautama Buddha, a few centuries before Jesus.

(b) Vayam Rakshamah (वयं रक्षामः, We are Raksha, first published in 1955; from the edition published by Rajpal and Sons, Delhi 2009) about Raavan, the mythological king from Ramayana.

Each of these books carries a long list of ancient texts that were consulted by Chatur Sen for writing that book. Vaishali ki Nagarvadhu, the first book in this series, was dedicated to Jawaharlal Nehru and in preface of this book Chatur Sen had explained that though a work of fiction, the book was attempt to remove the "black curtain that has hidden the defeat of religion, literature, royal governance and culture of Aryas, and the win of progressive cultures of mixed races, during thousands of years, that have not been tackled by historians." He had also explained that writing that book had taken "ten years of research in the cultures of Aryas, Boddh, Jain and Hindus".
dedication to Nehru, Vaishali ki Nagarvadhu, Chatur Sen
By the time, "Vayam Rakshamah" came out in 1955, Chatur Sen was 63 years old and not keeping very well. In the dramatic preface of this book, Sen declared that "he had put in all the learnings and knowledge, both emotional from his heart and logical, from his brain, into writing this book and he had no more left to contribute." About his own mental condition he had written, that like horses, bulls and donkeys, who can die while pulling heavy burdens, he might also die because of burden of writing this book."

At that time, he was also worried that his depiction of ancient history of Aryas and other races may not be accepted easily as it touched on areas that can be seen as obscene. At the same time, he felt that he had to speak the truth as he had understood it from the studies of the ancient Hindu books:
In this book, I have presented the forgotten word-pictures of different human clans such as Nar, Naag, Dev, Daitya, Danav, Arya, Anarya, etc. from pre-vedic times, who had been seen through the coloured lenses of religion and mythologised into gods of the heavens. I have the courage to present them as human beings. "Vayam Rakshamah" is certainly a work of fiction, but at the same time it is the result of deep study of Ved, Puran, philosophy and foreign texts ... it the summary of my life's work.

Cover, Vayam Rakshamah, Chatur Sen
This book was accompanied by an accompanying explanatory book, to justify and reference whatever he had written in the book, with notes from different sources that Sen had studied.

Upinder Singh in "A history of ancient and early medieval India" (Dorling Kindersley India, 2008) had written, "History is not one but many stories, only a few of which have yet been written. ... there are two parallel images of ancient South Asia - one based on literary sources, the other on archeology." About the ancient texts, Singh wrote, "Ancient texts are much older than their surviving scripts, and have a life of their own. They have grown and changed over time, and this process of growth and change - the period of composition - could in some cases have lasted for hundred of years before they were compiled or given a more or less final shape."

The descriptions of ancient Indian and world histories, from analysis of ancient Indian texts, have been attempted many times, by scholars from different disciplines, from India and many other countries. Continuing archaeological excavations as well as new technologies such as satellite mapping imaging, have provided new corroborative evidences to the the different theories.

Still I think that it could be interesting to look at the conclusions about the ancient world events during prehistorical times, at which Acharya Chatur Sen had arrived through his decades long studies. I don't think that people have seriously taken a systematic look at the literary works of Indian authors writing in Hindi or other Indian languages, in terms of analysing their ideas and their implications.

This article is mainly based on the descriptions in Sen's book, "Vayam Rakshamah".

End of part one of a three parts article. Part 2 explains the context of writings by Chatur Sen, while part 3 presents the main ideas of world history in Chatur Sen's work.

Note: Special thanks to Sanjay Bengani and Sameer Lal for the image of Acharya Chatur Sen!

Sunday 23 January 2011

Progressive Muslims in Pakistan and India

As we approach the Republic day, the long article of Ramnath Guha in the new issue of Outlook makes for sombre reading about threats to "Idea of India" and the state of India's nationhood. Guha always makes for very interesting reading, and though he seems to end on an optimistic note, I don't know how India can find a solution before the damage to its social and enviornmental fibre won't be irriversible.

However, it was something in the two articles related to Muslims in India and Pakistan that caught my attention, and is the focus of this post's question.

Mariana Baabar, in her article "The Flickering Flame" on the fear in liberal Pakistani society following the assassination of Salman Taseer, has written:
This question has again become a subject of fervent debate from the time Punjab governor Salman Taseer was gunned down and the shocking feting of his assassin, Malik Mumtaz Qadri, who was outraged by his victim’s support for amending the blasphemy law. For someone to be killed for an opinion, an idea, has jolted Pakistanis into reflecting over their journey backward—from liberating progressivism to stifling conservatism. Recalls journalist Adnan Rehmat, “In the ’60s and ’70s, you could even eat at restaurants during Ramadan and see women in saris and bell-bottoms in the bazaars. Burqas and beards were a rare sight.” The socio-cultural transformation has prompted many Pakistanis to think of emigrating. This sentiment was articulated last week in the Dairy of a Social Butterfly, a popular satirical column of the Friday Times. The Butterfly’s husband, Janoo, tells her why they should quit the country, “Tomorrow, someone could pass a fatwa against you for not covering your head. And when a grinning bearded murderer guns you down, lawyers will come and shower him with rose petals.”
In another opinion article on the website of Outlook, Yoginder Sikand writes in "Beyond Sachar" about the role of Muslim religious and civil-political leaders in the state of Muslims in India, a role that he feels was not sufficiently explored in the Sachar report, and writes:
In the wake of Partition of India, a large section of the then Indian Muslim leadership, consisting mainly of the landed aristocracy as well as the middle class intelligentsia, particularly in north India, where the bulk of the Muslim population was concentrated, migrated to Pakistan. The Muslims who remained behind were largely poor and illiterate, the vast majority of who belonged to the so-called ajlaf, descendants of ‘low’ caste converts, whose economic, social and educational conditions had not changed appreciably despite their conversion to Islam. With their political influence, financial resources and access to new forms of knowledge, the landed aristocracy and, especially, the modern-educated intelligentsia could otherwise have been expected to play a key role in promoting internal social reform among the Muslims, as some of them indeed had in the years before Partition. But with their migration to Pakistan, this was rendered impossible. The leadership vacuum created by their departure was soon filled by a different class of men—mullahs, representing a variety of rival Muslim sects, educated in traditionalist madrasas. Many of them, particularly of the Deobandi variety, had been close allies of the Congress party. Today, the vast majority of Muslim organizations that claim to speak for Islam and for the entire Muslim community are led and dominated by mullahs belonging to various sectarian groups—the All-India Muslim Personal Law Board, the All-India Milli Council, the two or more factions of the Jamiat ul-Ulema-e Hind, the Jamaat-e Islami, the Jamiat-e Ahl-e Hadith and so on.
Thus Sikand identifies, one of the reasons of the backwardness of Muslim leadership in India and its lack of sufficient social reforms, in the migration of more educated and liberals Muslims to Pakistan. Yet as Baabar's article points out, this did not help Pakistan to create a more reformed and progressive society. Why and how did that happen?

I feel that the problem could have been also in the decisions of the progressive and liberal Muslims to leave for Pakistan, because it underlined that their progressiveness and liberalism were less stronger than the idea that religion is more important in a society.

Once you choose religion over other human values, you lay the foundations of a society that is unable to rise above religion? What do you think?

Friday 7 January 2011

A girl (drawing)

After a long long time, I finally made a drawing.

There was a time, when I made drawings regularly and even tried with computer art. Then for the past 6-7 years, I had stopped drawing anything.

It is in ink on paper and then scanned. It is not bad and I am happy that even after so many years, I have not completely lost the skill!

A girl, drawing by Sunil Deepak

OK, the belly button is probably inspired from Sheila ki Jawani, so what? BTW, what a stupid film is TMK, couldn't sit through it.

But do you like my drawing?

Wednesday 22 December 2010

So much hoo-ha about a drink?

Outlook has a long article on drinking and bars in India, and how the drinks culture has spread and changed in India over the past two liberalized decades. It made me think about differences in Indian and Italian attitudes towards alcoholic drinks.

I have a feeling that the attitudes towards social drinking in India are very much influenced by British-American attitudes towards alcohol. In the article in Outlook, Anvar Alikhan gives a list of characteristics of a good drinking place:
.. what exactly makes a good bar? It’s a complex, personal issue: what a 22-year-old girl would look for would naturally be different from what a 44-year-old male would want. However, certain basic, universal requirements generally apply, such as:

- First, a good drinks menu, with a sufficiently wide selection of good drinks, poured generously.
- There should be a great bartender. He doesn’t have to be a circus juggler, but he must be good at his job, able to mix interesting, innovative cocktails.
- Probably the single most important factor is that the crowd should belong to your “tribe”. Not necessarily people you know, but the kind of people you’d like to know. That’s what gives you a sense of belonging, and makes you want to come back here next time.
- The place must be 60 per cent full. Less than that and it’s uninvitingly empty; more than that and it’s too crowded.
- The service must be efficient, anticipative and unobtrusive. You shouldn’t have to keep waving out for a waiter.
- The music must be interesting, with a mix of familiarity and slight surprise. And the volume must be just right: not so loud that you can’t figure out what your companions are trying to say.
- Great lighting can make a huge difference to any bar.
- Comfortable chairs. Un-ergonomic furniture soon becomes a pain.
- The prices can be premium, but they should never leave you with a feeling of being ripped off.
- A distinctive character, a sense of history, or even a slight eccentricity always adds something special to a bar.
- Ultimately, no bar ever attains perfection. And if it did, it probably wouldn’t be any good anymore. Some small imperfection is always interesting.
My attitudes towards bars and social drinking are obviously influenced by my living in Italy, the original bar country, where there are bars at every corner and where in some areas, small kids, especially in rural areas, get to taste few spoons of wine from a very tender age, and where there are often discussions on nutritional values of wines and local liquers.

In Italy, when people want to go to a bar, they usually go to the one closer to their homes or their work places, or on the way from the home to the work-place, especially where it is easy to find a parking. Here, people go to the bar throughout the day - in the morning for a cup of coffee and a cornetto for breakfast, for another cup of coffee around mid-morning, for a sandwich for lunch or dinner. In all these occasions, some people will also ask for wine or other drink. Some times, usually in winter, some will ask for a drop of Grappa, the Italian grape liquer, in their coffee. So I feel that the relationships with the bars are very different from the ones described above by Alikhan, it is much more familiar.

Thus even attitudes towards drinking are quite matter of fact, and I have never heard of persons talking of good bars and bad bars. May be they talk of clean or dirty bars, or, they talk of friendly and unfriendly barmen/women.

The main differences between Italian attitudes and Indian (and British) attitudes towards drinking seem to be that in Italy, most persons drink wines every day with dinner, and on weekends and holidays, also during lunch. If you are invited by friends to lunch/dinner, you will get offered invariably some light appettizer drinks, then have some good wine with food and then finally have a selection of liquers for after-dinner drinks, that will usually end with a "digestive", that is a bitter tasting liquer with some herbs in it.

In a bar, in the evening, if you are with friends, you can try some exotic looking cocktail, for some social drinking. I think that women go more for this kind of drinking.

Beer drinking is not so common in Italy. Younger people drink it more. Some times, especially on hot days, people will offer you a bottle or can of beer, or you will order beer for drinking with your pizza. But most drinking is done with food or after-food and focuses on wines. I have also not seen persons drinking umpteen bottles of beer to get drunk, like it happens in Africa.

You hardly ever mix water or or soda or even ice in the hard liquers in Italy. I have yet to meet someone here who starts his drinks every evening, before dinner, with two or three pegs of hard liquer, usually whiskey, mixed with water/soda, accompanied by some snacks, that is so ubiquitous in India.

Most important difference in the attitudes towards alcoholic drinks between Italy and India, seems to be the aura of something bad or prohibited that surrounds drinking in India, in spite of the liberalization and changing attitudes in the recent years. The peripheries of cities like Bangalore, are full of seedy looking, dirty and ill-lit drinking joints, where you "hide" to drink. While in Italy, it is more of a common pleasure of life, taken for granted, sips offered to children and to growing up adolescents much like tea in India, and at the same time, that avoids hard drinking.

I have been fortunate with drinks, because invariably the first glass of anything remotely alcoholic is enough to make me sleepy, so usually I tend to avoid drinks. Having half a glass of red wine is usually enough for me! Drnking also makes me more melancholic and introverted. For me, a good bar will be where it is not too crowded, that has no loud music so that people can talk and that does not allow smoking.

Every country has its drink-culture and probably our colonial pasts mixing up with our specific cultural backgrounds, do influence those drinking-cultures. The Mongolian way of seriouly drinking vodka on every occasion or the Caribbean way of having rum or the German love for beer, are very different from the drinking cultures in India and Italy.

However, I think that I need to remember the Indian habits towards drinking when we have guests from India. This means that I must make sure to have whiskey, soda, ice, snacks, etc. and offer it for pre-dinner drinks. I usually forget it and I don't think that our Indian guests appreciate the Italian way of having some light appettizer, wine with food and an offer of post-dinner drinks or digestives!

Usually for an evening with friends, I would prefer to be with at home. We have a good selection of liquers from different countries. This way, no body tries to insist and force me to drink anything and at the end, I usually drink some wine and may be some digestive. And, best of all, after the evening is over I can go straight to sleep!

To conclude this discussion on drinks and bars, here are some of my pictures of pubs, bars, bar-restaurants from different countries of Europe:

Having a drink in Europe - pubs and bars
Having a drink in Europe - pubs and bars
Having a drink in Europe - pubs and bars
Having a drink in Europe - pubs and bars
Having a drink in Europe - pubs and bars
Having a drink in Europe - pubs and bars
Having a drink in Europe - pubs and bars
Having a drink in Europe - pubs and bars
Having a drink in Europe - pubs and bars
Having a drink in Europe - pubs and bars

Thursday 16 December 2010

Sonali and Roberto story - more details

More than two years ago, in May 2008, I had written an article about the love story of Sonali and Roberto Rossellini. Following the first article, I received many emails from different parts of the world, some of which were from persons who knew other details about the story and shared those details with me. Thus, an updated version of the article was prepared in July 2008.

Over the past two years, my interest in the events linked to Sonali and Roberto story in India during 1956-57 has remained constant and I wish I could write a book on this story from Sonali's point of view. Some months ago, I did write to her daughter to ask if Sonali would agree to meet me, but I have not received any answer.

However, recently I did receive some more information about the days when Sonali and Roberto had come back from India and this post is about that new information.

***

A few months ago, a person shared some letters and other documents of Roberto Rossellini with me and gave me the permission to write about these.

The letters were written in November 1957, around the time when Roberto and Sonali had left India and were living in Paris. It was the time when their daughter Raffaella was born. The handwritten letters written in Italian are addressed to "Aldo and Giuliana", persons probably living in India at that time, who seem to be confidantes and friends with Roberto.

In one letter dated 17 November, Roberto excuses himself for not having written earlier "because he was being followed by journalists and photographers". He also says that he is preparing a return to India in the beginning of December. He mentions some financial problems. At the same time, he is "excited about restarting my life at 51 years".

He awaits anxiously for the arrival of documentary films from India for completing the work. He asks, "what does Jennifer say? .. What does Blitz say? He asks his friends to telephone (Rambir) Haksar to present his (Roberto's) apologies.

In another letter dated 7 December, it seems that Roberto's financial problems are continuing and he writes of selling his car. He seems to worry about gossip, "the truth is that people love to gossip and make things seem more drammatic, even when there is nothing to drammatize..". He mentions lack of news from "our lawyer in Bomaby" and he continues to wait for those "damned documentaries".

He also seems upset about reactions of certain persons "because I have separated from my wife? How does that concern him? ... I believe that people become easily hysterical, without understanding ... I don't think he understood what I had to go through to resolve the questions here."

He mentions a visit to Rome "for the separation from my wife".

Among the other documents that I have received, there are some telegrams from Roberto (in Rome) to hotel Suisse in Delhi. The telegrams mention Rambir Haksar and arrival of Mrs. Selznick (Hollywood actress Jennifer Jones who was married to director David Selznick at that time), who is arriving in India. Roberto asks  in the telegram to make arrangements for her stay in Maidens (hotel in Delhi), avoid publicity and inform Menon so that Jones gets all assitance on her arrival in Bombay airport.

Among the papers, there is also a list of expenses for reimbursement for a total of 910 Indian Rupees, that includes the following items:
7 Rs for taxi on 29th October to film division
6 Rs for taxi for Indira Gandhi on 26 October
20 Rs for taxi to Palam for taking the monkey on 4 November (probably the monkey used in one of the documentaries)

Comments: I think that the expenses for reimbursement covering the period from 22 October to 22 January, relate to the period after Roberto's arrival in India in October 1956, when his love story with Sonali had not yet started or was just starting.

I am not sure about the telegrams concerning Jennifer Jones. Did she play a role in the documentaries made by Roberto in India? Was he planning to make a film with her in India, after completing the documentaries? If so, probably he was underestimating the strength of public scandal in India and didn't imagine that he would have to run away to Euorpe with Sonali? From the letter dated 17 November 1957, it seems that he was still hoping to go back to India in December.

Rambir Haksar, who was assisting Rossellini in India, mentioned in these messages, could be related (?) to P. N. Haksar, who was in foreign service in that period, and later became personal assistant to Ms. Indira Gandhi (?).

Pandit Nehru's daughter Indira, who had married Firoz Gandhi in 1942, had separated from her husband and was living with her father in Teen Murthy during 1956-57. That Prime Minister's daughter travelled in a taxi, is a reflection of those times, when security was not an issue and leaders were closer to the people. Her personal involvement in the supporting Roberto's visit, also reflects on the importance given by the Nehru family to Rossellini visit in India.

The letters do not mention Sonali nor the birth of his daughter in Paris in November 1957. This could be an indication of his relationship with Aldo and Giuliana, who were probably more informed about his business issues than personal issues. His mention of gossip in Blitz, shows that he was concerned about the Indian press. Blitz was among the most active Bombay newspapers of that time, protesting loudly about Roberto and Sonali love story, describing it as an attack on India's morality and asking for Roberto's expulsion from India.

***

When I had found that the famous Bengali actor and director Aparna Sen was coming to River to River film festival in Florence, I had immediately thought that she would know details about the Sonali and Roberto story. She is daughter of Chidanand Dasgupta, who was close friend of Satyajit Ray, and since Sonali's ex-husband, Harisadhan Dasgupta was also colleague and friend of Satyajit Ray, my conclusion was they all must have known each other. In 1956-57 when it had all happened, Aparna must have been 11-12 years old, so I had thought she will remember things from that period.

Aparna did confirm that her father and Harisadhan knew each other. She said that as a child, Raja, Sonali and Harisadhan's elder son, used to come to their house. But she didn't know much else. There hadn't been much discussion about this subject in her family in that period, and Harisadhan's family had been very discreet about the whole issue, so she couldn't say much about it.

You can imagine my disappointment!

***

Thursday 9 December 2010

Reliving teenage dreams in Florence

Even after decades, can we ever forget those first giddy confused times, when our bodies changed, hormones were raging and suddenly we thought that we were in love with some one, and the world seemed stronger, sharper, more colourful?

And then, how does it feel when many years later, suddenly you find yourself sitting in front of one of your old dreams? It happened to me yesterday and I felt confused, stuttering and giddy, as if I had gone back to being sixteen once again.

But let me start from the other things, before telling you about my meeting with my teenage crush.

Yesterday, 8 December was the day of Rahul Bose and Onir's new film, "I am" in River to River film festival in Florence, Italy. River to River is the most important festival of Indian films in Italy since 2001 and is directed by Ms Selvaggia Velo. This year it has an important retrospective of Satyajit Ray's films.

Rahul Bose has five of his films in the festival this time - Split wide open, Every body says I'm fine, Mr. and Mrs. Iyer, I am and The Japanese Wife. I had already seen Every body says I'm fine and Mr. and Mrs. Iyer but still it was good to see them again.

I had not seen Dev Benegal's "Split wide open" and I loved it. It has plenty of scenes that usually create great scandals in Indian media including, plenty of Hindi cuss words, two integral nude scenes of Bose, a steamy sex scene and even a scene where the mumbai mafia don takes out his dick hanging it in Bose's face. So they must have talked a lot about this film when it had come out in 1999. However, I hardly knew anything about it and so had started watching it without too many expectations. If you have not seen it, get hold of a DVD and watch it.

River to River festival 2010, Rahul Bose, Selvaggia Velo

In the picture above, Bose is answering questions by the audience after the film. Next to him are Selvaggia Velo, festival's director and the English/Italian translator (sorry for not asking her name).

I had a conversation with Bose, that focused mainly on his involvement in the NGO called The Foundation, and touched superficially about his films.

Coming out of hall, I ran into Rizwan Siddiqui and Vijay Singh. I had seen Rizwan's short film "Kharboozey" on 7th. Vijay introduced himself and told about his works including a film called Jai Ganga. I need to look for his works and see them. Rizwan lives in Lucknow and Vijay is based in Paris.

River to River festival 2010, Rizwan Siddiqui and Vijay Singh

Then it was the time for the Italian premier of Onir's film, "I am". Here are film's director Onir and one of the actors, Rahul Bose.

River to River festival 2010, Rahul Bose, Onir

The film is beautiful and as usual for Onir's films, has beautiful music. Made of four inter-related stories, characters from each story spill off into others, the film touches on some of the sensitive issues including child abuse, homosexuality, artificial insemination and conflict-religion issues. The stories are based on real life incidents. Onir was telling that it will probably release in India in February 2011. Don't miss it.

The cinema hall where they are holding the main festival, Odeon, is one of the historical old-style theater of Florence. Yesterday, for "I am" it was full.

River to River festival 2010, cinema Odeon Florence

Now about my coming accross one of my teenage dreams, Ms. Aparna Sen. Her "Iti Mrinalini" opened the festival and her "The Japanese wife" is going to close the festival today evening (9 Dec.).

I had read lot of her interviews and had thought of asking her a lot of questions. But in front of her, I felt confused and forgot half of my prepared questions. I don't remember what she answered and probably I was a very distracted interviewer, asking something, then interrupting her, and all the time sneaking looks at her! Hopefully she is used to men like me and didn't take me for being exceptionally stupid or clumsy.

The evening after talking to her, passed in a daze. Couldn't have asked for more! Thanks Ms. Sen.

River to River festival 2010, Aparna Sen

If you wish, you can see Aparna Sen's Question-answer sessions after Mr. and Mrs Iyer at the festival on Youtube. On the same page, you can also find links to videos of Rahul Bose answering questions.

***

Wednesday 10 November 2010

Circle of history

A few days ago, there was an editorial in the French newspaper, Le Monde, that talked about exodus of christians from different countries dominated by Muslims. This editorial started from the news of an attack on a church in Baghdad, during which 50 people had died, most of them women and children, and it lamented the flight of christians from the very places where christianity had started.

About 50% of Iraqi christians have left the country in the last 20 years. According to Samir Khalil Samir, a gesuit priest from Egypt, in the last century, christians in Turkey have gone down from 20% of the population to 0.2% of the population, and globally in middle east, they have reduced from 15% to 6%.

Apart from the on-going conflicts in many countries of this region, the spread of more intolerant forms of Islam have contributed to this decline.

Religion, especially a conservative version of Islam, has become a key factor of conflicts in countries like Sudan and Nigeria. In most of these countries, the conservatives have occupied the centre-stage and speak more loudly, while the space occupied by moderates and liberals seems to have diminished.

There have been similar changes in Pakistan and Bangladesh. I remember reading a discussion among bloggers from Bangladesh, who recognized that Durga Puja celebrations in their countries have become rarer and more problematic as their societies are increasingly dominated by conservatives.

It also made me think of the on-going conflict in Kashmir, and the recent controversy surrounding the speech of Arundhati Roy.

I admire Arundhati Roy and I think that it is important that persons have the freedom to talk about uncomfortable truths, that we would rather forget or not see. In this sense, I share her anguish about the continuing lack of civil liberties in Kashmir, about the military rule that does not need to give any explanation or justify its brutality.

I think that power, that does not need to justify itself against people who have no way to raise up their voices or protest, invariably leads to abuse, repression and brutality. The examples of abuses by soldiers in Iraq and Afghanistan recently exposed on Wikileaks confirm this. Not just military, even children growing up in institutions in different cultures and religions know this very well, that pious and apparently kind persons governing them can also abuse their power. So it is easy to understand that the more violent components of military get an opportunity to express worst parts of themselves, protected by laws and their power.

However, I am not sure about the idea of "azaadi" in Kashmir if it means that the area will be ruled by more conservative and fundamentalist forces. How do you reconcile the contradiction between two ideals - the ideal of living with liberty and the right to self-determination on one hand; and the right to live in a country where people are free to wear what they want, for women to go to school and work, the issue of human rights as enshrined in universal declaration and that seem impossible in societies dominated by fundamentalists?

I raised this doubt to Dilip D'Souza, who answered that:
The point about freedom yearned for is that you can't second guess what might happen there afterwards. After all, Churchill believed that Britain would turn India over to half-men if they gave us Independence. White South Africa believed Mandela was a terrorist and there'd be widespread black revenge on the whites if they ended apartheid.
I agree with the examples given by Dilip, but it doesn't answer all my doubts. I think that he ignores the issue of religious conservatives holding power. As I understand it, Kashmir valley that is asking for azaadi, is a small place. I don't know if it is bigger or smaller than Bhutan.

I also agree that Kashmir valley needs freedom from the special laws that guarantee impunity to military, Kashmiris need azaadi from the omnipresent "occupying forces", but how do you make sure that they are not taken over by jehaadis and conservatives? How do you make sure that it does not become another Afghanistan or Baluchistan? Or we say, it doesn't matter to us, they asked for it, let them get out of it?

I think sooner or later, history will turn a full circle and more moderate and illuminated ideals of Islam will come back. The middle ages were dominated by fundamentalist christians who launched crusades, conquest of americas and inquisitions, but eventually rennaisance did win and in todays' world, conservative christians do not have that kind of influence or power. Similarly, one day this domination of fundamentalist islam will give way to liberal islam like the ones that continue to flourish in countries like India and Indonesia.

But till the circle of history completes this passage, how do you deal with regimes that restrict their people's lives? Do you just wait and watch? I am quite sure that the Western answers in Iraq and Afghanistan are not the right answers, also because they are tainted with self-interest of power, control and resources.

But is there another way, and should others intervene and how?

Wednesday 3 November 2010

The cost of silence

Certain areas of our history have become taboo. For different reasons we prefer to not to talk about them. Instead, only certain conservative groups and political parties can speak about those parts of our histories. But are there other costs to the society because of this silence?

Amitabh Bacchan and the Somnath ad

The angry reactions about it on facebook and blogs alerted me about the Somnath advertisement video of Gujarat Tourism. They also made me curious about the ad. So I watched it on Youtube and was wondering about the reasons that had provoked the angry reactions. I think that the reactions were not about what is said or not said in this ad, they were mainly about the motives behind it.

At one level, this ad can be compared to Obama talking about loss of American jobs due to outsourcing to India or China. Or it can be compared to the Italian northern league party that uses rhetoric and demagogy about “emigrants” to create fear about criminality and national identity. It reminds people about the threats faced by the Somnath temple some centuries ago.

At another level, the ad is a subtle threat, hidden behind nice words and glossy images. That threat is serious, if we look at the history of using such arguments and how such ideas have been used to justify events like the Gujarat carnage in 2002.

I can imagine the marketing managers and ad agency of Gujarat tourism, all very pleased with themselves. Their message is being spread by persons who like it and also by those who hate it. They must be hoping that in the end people will forget the controversy and remember some of those wonderful images of Somnath temple and more tourists will visit the state. Or they have done it on purpose to stir passions and make electoral gains.

Wider issues of discussion on history: However, I think that this episode points to wider issues of different links between history, politics and religion in India, that are not being debated very often.

Can we talk, discuss and argue about historical events including religious conflicts and understand their significance in India, without making it an accusation against one group of our people?

Language in pre-independent and post independent India

In the pre-independence era and even up to 1950s and 1960s, it was still possible to talk about historical events, without worrying if that was going to offend certain groups of population. Perhaps, it was because that people were clear in their minds that they were talking about historical events, things that had happened hundreds of years ago and these were not judgements about persons of specific religious groups today?

For example Jawaharlal Nehru in his "Discovery of India", first published in 1946 wrote:

About 1000 AC Sultan Mahmud of Ghazni in Afghanistan, a Turk who had risen to power in central Asia, began his raids into India. There were many such raids and they were bloody and ruthless, and on every occasion Mahmud carried with him a vast quantity of treasure. A scholar contemporary, Alberuni, of Khiva, describes these raids: "The Hindus became like atoms of dust scattered in all directions and like a tale of old in the mouths of people. Their scattered remains cherish of course the most inveterate aversion towards all Moslems." ... He met with a severe defeat also in the Rajputana desert regions on his way back from Somnath in Kathiawar.

Socialist leader, Dr Ram Manohar Lohia in his article "Hindu and Muslim" (Hindu aur Musalman, 3 October 1963 published by Ram Manohar Lohia Samta Nyas, 1993) had written (my translation from Hindi):

A common misunderstanding in the minds of both Hindus and Muslims is that Hindus think that for the last 700-800 years Muslims have ruled us, they have been cruel and despotic, and Muslims think that, even if those who may be poorest of the poor, for 700-800 years we had ruled and now our bad days have come. .. the truth is Muslims have killed Muslims. Killed, not in spiritual terms but in physical sense. When Tamur came and killed 4-5 lakh persons, among them 3 lakh were Muslims, Pathan Muslims who were killed. The killer was a Mughal Muslim. ... I want that everyone, Hindus and Muslims, we should learn to say that Ghazni, Gauri and Babar were bandits, who attacked us.

Not just about past history, even for more recent events like India's partition, and Kashmir issue, till seventies, there are countless examples of leaders, writers, thinkers from different sides of political spectrum, who expressed themselves in words that, if used today, would immediately provoke unease and sometimes even accusations of being a part of "fundamentalists" or "saffron brigade", because now those areas of our history have become "sensitive" or even "taboo".

Changing context and changing language

I don’t think that anyone would tell the Jews not to talk about holocaust or to the persons of African descent in the Americas, not to talk about slavery.

The medieval period has been an era of Christian fundamentalism. Think of crusades. Think of genocide of natives in Americas, think of Aztec and Inca empires completely demolished and destroyed. Think of “holy” inquisition in southern Europe, where Muslims and Jews were persecuted, tortured and killed, converted by force, their books and knowledge burnt, their temples and mosques razed to ground.

While it all happened in Europe and middle east, it was more or less the same time when Ghazni or other Turkish/Afghani invaders were raiding India, burning, looting, killing people and also destroying Indian temples.

On one hand, it is perfectly legitimate to talk about what happened in crusades, what happened to natives in Americas and about the tortures of inquisition in Europe. There are countless recent books and articles about it and if you talk about it, no one would dare say that you are anti-Christian or a Muslim/Jew bigot. But if you talk of what happened to temples, you could be looked at with suspicion. Why is that?

When and why this change?

All languages change with time and our way of talking about things changes. The fights for civil rights by the blacks in America and South Africa, the continuing fights for dignity by groups such as women and homosexuals and transgender persons, have all focused on words used to talk about them. The "illuminism" of concepts and ideas of human rights following the second world war, have all impacted on what we talk about and in which terms.

Thus, it is perfectly understandable that today anyone talking about groups of persons like women/blacks/gypsies/asians in an inappropriate language is seen with suspicion or distaste. It is perfectly understandable that persons using terms like niggers or cripples are told off clearly to mind their language. Thus, ways of expression that sounded perfectly reasonable thirty/fifty years ago, may be seen as problematic today.

But the change in India in not talking about certain parts of historical events, does not seem to be an issue of language. It is something else.

Thinking back of the events of the past thirty forty years, I think that part of the change may have come from the Khalistan movement in Punjab. It underlined the fact that India could fragment and get divided.

In his "Idea of India", Sunil Khilnani had written of the apparent conviction of the British and many other parts of the world that post-independence, India would break up in different states. However, till the Khalistan issue came up, while there were wars with Pakistan on Kashmir issue, and there were religious riots every now and then in different parts of India, I think that till that time, there were no real fears among Indians about a break-up of India, and it was the Khalistan movement that brought out this fear in to open.

The demotion of Babri masjid in 1992 and the subsequent bomb blasts in Mumbai, followed by more religious riots probably affected the nation's psyche more fundamentally. The Gujarat killings of 2002 with its state sponsored violence, were the final shock that told India that it was moving towards its doom. In this changed scenario, anything that puts into danger the unity of India has gradually become a taboo area, to be avoided at all costs. Thus, all violent traumas of our recent history are to be swept under the carpet, to be hidden away.

Religions and Indian thinkers

I have a feeling that the thinkers and philosophers in today's India would prefer not to talk about religions at all. For them religion and faith is a non issue, or at the most a private issue. Their distaste towards the more conservative religious believers of different religions is clear, though they are more controlled in denouncing the conservative groups among the minorities and much more vocal in expressing their indignation at Hindu conservatives. I remember an article of Ram Nath Guha in Outlook some years ago in this sense, asking us to be more aware and careful of fears of the minorities.

At the same time, past decades have seen increasing violence of certain conservative groups and the state seems unable to do anything to stop them. Thus persons burn libraries because someone has dared to write something about Shivaji or hound persons like Hussein for having dared to paint a naked Saraswati or in the name of Islam, MLAs threaten to kill Taslima on TV. Try to discuss multiple versions of Ramayana and people pounce on you for denigerating their religious feelings. Try to make a film about conditions of widows in early twentieth century and mobs will chase you away. Pose a question about a person called Mohammed in a question paper and they will cut off your hand and university will suspend you for hurting people's religious feelings. Have a negative Sikh character in a film and sikhs will protest. Talk about illicit relationships of a priest and church will protest.

The end result of both things is silence. You can't discuss anything that touches on religions. From the thinkers and philosophers, because they fear it will hurt the sentiments of minorities. From the conservatives, who have their versions of their religions and they dare anyone else to challenge those views.

Impact of this situation

Political incorrectness issue is especially serious in terms of Hindus and Muslims. Today it is politically incorrect to talk about Muslim invaders from Ghazni to Mughals. We can talk about persons like Akbar, if it is about Hindu Muslim unity, but it is better to avoid talking of Aurangzeb, and if you do it, it should be preferably in terms of “he was really not so fundamentalist as he is painted out to be, he was actually helping some temples”. And if we show Muslims killing Hindus and Sikhs in a film or a play, you should balance it by showing that Hindus and Sikhs were also killing Muslims at the same time.

To a lesser extent, similar problem applies to relations with other religions - especially Christians.

Thus, certain aspects of history have become personal property of Saffron brigade or radical Islamic groups – only VHP, RSS, some Maulanas/clerics or others of their side can speak about it and if you talk about it, you are naturally part of some fundamentalists.

Why is that? Why can’t we differentiate between the past and present? Talking about what had happened 400 years ago, doesn’t mean that as Muslim, Hindu, Sikh, Christian communities of today we are responsible of that past. In the history, terrible wars have been fought, terrible things have been done in the name of religion, but as human beings we are capable of changing, and today we can dialogue and reflect about such things without it necessarily reflecting on who we are today and what our religions are?

I also think that it is unfair to lot of persons, who are religious, but are not conservatives or fundamentalist in their thinking, who believe in multi-cultural India and have respect for all religions. Why should they be seen only as part of saffron brigade or Islamic conservatives?

I do believe that majority of people in India, be they Hindus, or Muslims or Christians or whatever religion, are sane persons, who believe in their faiths, but they also respect others, they also bow their head when they pass in front of another’s prayer place. It is a pity that they only have political parties to represent them who are either representing extremists of their religions or those who call themselves seculars but who do not understand or acknowledge anything related to their faiths.

At the same time, I think that cordoning off certain parts of our history, whether it is arrival or Aryans in ancient India or Muslim invasions of medieval India or partition of India in 1947 or killings of Sikhs in 1984 or killings of Muslims in Gujarat in 2002 or killings of Christians in Kandhamal a couple of years ago, does not help us. Silence does not help us.

Reality is never black or white. Reality is not made of one simple story of one killer and one oppressed. It has multiple stories, where religion is just one part but there are many other parts. If we can't talk about them, we are closing off our possibility to understand what happened and why it happened and how can we make sure that it does not happen again.

***

Monday 1 November 2010

For what?

A friend has sent this message about a consideration made by the Brazilian nobel prize winner Dr. Drauzio Varella:

"En el mundo actual, se está invirtiendo cinco veces mÃis en medicamentos para la virilidad masculina y silicona para mujeres, que en la cura del Alzheimer.
De aquí a algunos anos, tendremos viejas de tetas grandes y viejos con pene duro, pero ninguno de ellos se acordará para que sirven".

It means:

"In today's world, they spend five times more for virility medicines for men and silicone for women, than for curing Alzheimer. In a few years, there will be women with big tits and men with hard dicks, but they won't remember, these are for doing what!"

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